Walter’s Art Museum
Tuesday, August 02nd, 2011
I have been working on crossing a few museums of my places to visit list this year. I already visited Montreal and my birthday is always a great excuse to visit some place new.
So in honor of my birthday my wonderful friend Kimberly and I drove to Baltimore for a few hours and wandered around The Walters Musuem of Art. It was a museum that I happened to stumble upon and knew nothing about. I am really glad that we went because I really loved it, there was the feeling of being in a small, intimate museum, but the work on display was what you would expect from one of the massive museums. On display is art ranging from pre-dynastic Egypt to the 20th Century, some beautiful scultpure and even a few Fabergé eggs. Personally wanted to take home with all the wonderful Lalique jewelry and a few vases as well.
Since modern art is not my preferred categories, the exclusion did not bother me. On the other hand the closed or unable to find Asian Art win bothered me slightly. That stems from the fact that there is always some area of a museum closed when I visit – the Prado, Musée d’Orsay, Montreal Museum of Fine Art – I am beginning to think it is me.
Level two covered the Ancient World, with examples of Egyptian, Greek, Etruscan and Roman art. Since I just finished reading the summary of Greek art a few days before I went in a little excited. Here I was able to look at what I had been reading about in person. As can be tricky with any museums layout, how the visitor to flows through this area was a little tricky. We started with the Egyptians, but ended with the early Greeks. To be honest, they have tried to position Egypt is a part all in its own, but it does lead into the ancient near east, or at least that is how I found it. In doing so I walked back through time, leaving Egypt via the Roman empire and ending in the early Greeks. I probably would not have even noticed, other than the fact that I am trying to learn to notice these things.
From there we walked through the Sculpture Court and the 17th and 18th century European art rooms which surrounded it. The museum impressed me with their Chamber of Wonders. It was not so much for the assortment displayed – which was great – but the idea of presenting this style of museum display. There was one very small special exhibit on display, The Art of the Writing Instrument from Paris to Persia. It was interesting, I actually would have liked to see more items and the 19th century art was great, but it is always my favorite. Having never seen Titian’s “Venus of Urbino” being able to see Ingres’ copy the “Reclining Venus” hanging on one wall was a surprise to me. It is probably the closest I will ever get to the scandalous masterpiece.
As we were leaving we walked past the Conservation Window, which I think was the best part of the visit. So far I have learned nothing along the lines of art conservation, here they had one of the museum conservators showing a project they were working on and talking about it. The staff member we listened to worked on paper and prints, so she was showing a watercolor on floor paper that she was working on. It was very interesting to here what issues she was facing in the conversation process. I had read during my poster research some of the challenges of exhibiting works on paper. In this case the stability was a major issue and I was able to see how the paper sagged in areas and pulled at its tacking.
One piece that was very interesting that I now need to add to my list of things to learn more about was The Young Girl of Bou-Saadaby Ernest Barrias. So far all I have found is that this sculpture also appears on the tomb of Gustave Guillaumet in Montmartre in Paris.

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